Western Music Time Periods
Music has been around for as long as people have left their traces in history. Music is the one non-essential for life that was developed in early civilizations around the globe. Because of this, music has a long history and is divided into time periods to help make it easier to track its evolution and compare and contrast different styles. Although historians give dates to each period and give descriptions of that period’s characteristic style, these dates are not set in stone. Although we may say a period ends in 1750, for example, that doesn’t mean everyone woke up on January 1, 1751, and started writing music in a new style. There is some crossover for each period, with some ideas from the old period continuing into the new one and some new ideas appearing before the previous period ends. Often, these periods corresponded to the ideas in art and literature of the same era. It’s easy to put art on a different timeline than the rest of history, but artists were living through their current events and reacting to them as they created their works.
Western Music is generally broken up into nine main styles. There are common names and compositions in most of them, although certain periods are much more familiar to us as listeners. Some periods require different instruments than are found in a modern orchestra, such as viols, harpsichords, and recorders, or techniques such as ornamentation and chord realization. Some music cannot be performed by modern ensembles. In the case of music from thousands of years ago, we know that some archaeological fragments are pieces of music, but we have not found a way to read the ancient notation to be able to perform the songs. Below is a list of the main musical periods, along with examples of composers, and a brief description of the style.
Antiquity Period: Before 500 BCE
Musical Compositions:
hymns
instrumental dance music
storytelling songs such as The Odyssey
Composers:
mostly anonymous
Enheduanna, a Sumerian priestess wrote 42 hymns
Style:
largely unknown since notation uses a different system
Medieval Period: 500-1400 CE
Musical Compositions:
chant
instrumental music
troubadours
art song
Composers:
Hildegard of Bingen
Léonin
Pérotin
John Dunstable
Guillaume Dufay
Style:
early compositions feature only one line of music
later compositions have more than one line
dance music
songs with a strong melody
Renaissance Period: 1400-1600
Musical Compositions:
chansons and motets (types of songs)
musical settings of the Catholic Mass
madrigals
opera
instrumental dances
Composers:
Josquin des Prez
Giovanni da Palestrina
Thomas Tallis
William Byrd
Tomás Luis de Victoria
Style:
music for entertainment
more complicated and emotional songs
“word painting” to illustrate meaning in the music
beginnings of opera and other staged musical performances
Baroque Period: 1580-1750
Musical Compositions:
opera
oratorio
cantata
concerto
sonata
fugue
dances
Composers:
Johann Sebastian Bach
Antonio Vivaldi
Georg Frederic Handel
Arcangelo Corelli
Dominico Scarlatti
Alessandro Scarlatti
Henry Purcell
George Philipp Telemann
Style:
use of improvisation: making up parts while performing
dances used as concert pieces
larger groups of musicians and the start of the orchestra we recognize
more complex compositions with more than one movement
many lines of music going on at the same time
opera, cantatas, and oratorios became established forms
Classical Period: 1750-1820
Musical Compositions:
symphony
concerto
sonata
opera
string quartet
Composers:
Ludwig van Beethoven
Wolfgang Amadeus Mozart
Franz Joseph Haydn
Johann Christian Bach
Wilhelm Friedmann Bach
Carl Philipp Emanuel Bach
Luigi Boccherini
Style:
lighter, clearer texture
importance of a melody with accompaniment below
piano becomes the most important keyboard instrument
clear structure and forms, especially sonata form, a standard structure for the first movement of symphonies, concertos, and sonatas
increased size of the orchestra
Romantic Period: 1800-1910
Musical Compositions:
symphony
concerto
sonata
opera
string quartet
tone poem
art song
song cycle
etude
rhapsody
Composers:
Johannes Brahms
Franz Schubert
Gustav Mahler
Frédéric Chopin
Pyotr Ilyich Tchaikovsky
Hector Berlioz
Richard Wagner
Jean Sibelius
Felix Mendelssohn
Franz Liszt
Giuseppi Verdi
Antonín Dvořák
Vincenzo Bellini
Giacomo Puccini
Gioachino Rossini
Ferruccio Busoni
Jacque Offenbach
Style:
new musical structures and forms
wider use of harmonies
emphasis on melody, especially long ones
wider range of dynamics
larger orchestra
program music, where an outside influence, such as art or literature, is portrayed in purely instrumental music
nationalism, the use of folk songs or stories from the composer’s native country as well as the use of other languages, not just Italian, French, or German in opera
idea of the virtuoso performer and the musician as an artist
Modernism: 1890-1975
Musical Compositions:
symphony
concerto
sonata
opera
string quartet
tone poem
Composers:
Igor Stravinsky
Arnold Schoenberg
Sergei Prokofiev
Aaron Copland
Alexander Scriabin
Benjamin Britten
Claude Debussy
Charles Ives
Dmitri Shostakovich
Witold Lutosławski
Style:
styles becomes wider and more varied
further movement toward more complex harmonies, sometimes breaking traditional harmonic rules altogether
rise of atonal music and later serial music which do not use the traditional scale
influence of jazz
influence of popular music
extended instrument technique including speakers, recording, and other synthesized or prerecorded sounds
Contemporary: 1950-present
Musical Compositions:
opera
chamber music
symphony
band music
film score
concerto
sonata
Composers:
Olivier Messiaen
John Cage
Györgi Ligeti
Philip Glass
Steve Reich
David Maslanka
Arvo Pärt
Jennifer Higdon
Missy Mazzoli
Style:
even more styles ranging from completely atonal to neoclassical
influence of jazz, pop, and other music
wider variety of composers from different backgrounds
electronic music
mixed media performance including art or taped music combined with a live performance
minimalism, using small motives and changing those ideas very slowly and subtly