Adventures with Beethoven

Scene Two

Time Periods in Music History

 
 

Music has been around for as long as people have left their traces in history. Music is the one non-essential for life that was developed in early civilizations around the globe. Because of this, music has a long history and is divided into time periods to help make it easier to track its evolution and compare and contrast different styles. Although historians give dates to each period and give descriptions of that time period’s characteristic style, these dates are not set in stone. Although we may say a period ends in 1750, for example, that doesn’t mean everyone woke up on January 1, 1751 and started writing music in a new style. There is some crossover for each period. Some ideas from the old period continue on into the new one and some new ideas appear before the previous period ends. Often these periods corresponded to the ideas in art and literature. Sometimes we forget that musicians, artists, and authors are part of the time period in which they lived. It’s easy to put art on a different timeline that the rest of history. But artists were living through their current events and reacting to them. 

Music is generally broken up into nine main styles. There are common names and compositions in most of them, although certain periods are much more familiar to us as listeners. Some periods require different instruments than are found in a modern orchestra, such as viols, harpsichords, and recorders, or techniques such as ornamentation and chord realization. Some music cannot be performed by modern ensembles. In the case of music from thousands of years ago, we know that some archaeological fragments are pieces of music, but we have not found a way to read the ancient notation to be able to perform the songs. Below is a list of the main musical time periods, along with examples of composers and a brief description of the style. 

Antiquity Period – Before 500 BCE
Musical Compositions Composers Style
• hymns
• instrumental dance music
• storytelling songs, such as The Odyssey
• mostly anonymous
• Enheduanna, a Sumerian priestess is credited with 42 hymns
• largely unknown since fragments cannot be transcribed to modern notation
Medieval Period – 500-1400
Musical Compositions Composers Style
• chant
• instrumental music
• troubadours
• art song
• Hildegard of Bingen
• Léonin
• Pérotin
• Guillaume de Machaut
• John Dunstabl
• Guillaume Dufay
• early on usually only one line of music
• later more than one line
• songs that featured a strong melody
• dance music based on traditional forms
• music based on modes rather than our diatonic scales
Renaissance Period – 1400-1600
Musical Compositions Composers Style
• chanson and motets (types of songs)
• musical settings of the Catholic Mass
• madrigals
• opera
• instrumental dances
• Josquin des Prez
• Giovanni da Palestrina
• Orlande de Lassus
• Thomas Tallis
• William Byrd
• Tomás Luis de Victoria
• music for entertainment
• songs became more complicated and emotional
• “word painting” to illustrate meaning through musical gesture
• movement toward our traditional scale system
• beginnings of opera and staged musical performances
Baroque Period – 1580-1750
Musical Compositions Composers Style
• opera
• cantata
• oratorio
• concerto
• sonata
• fugue
• dances
• Johann Sebastian Bach
• Antonio Vivaldi
• George Frideric Handel
• Claudio Monteverdi
• George Philipp Telemann
• Henry Purcell
• Jean-Baptiste Lully
• Jean-Philippe Rameau
• music solidly set in our scale structure
• use of improvisation - making up parts while performing
• dances used as concert pieces - not to be danced to
• larger groups of musicians and the start of the orchestra we recognize
• opera and other staged works become more set
• more complex compositions with more than one movement
• many lines of music going on at the same time
• music as a tool of expression
• songs became more complicated and emotional
• “word painting” to illustrate meaning through musical gesture
• movement toward our traditional scale system
• beginnings of opera and staged musical performances
Classical Period – 1750-1820
Musical Compositions Composers Style
• symphony
• concerto
• sonata
• opera
• string quartet
• Franz Joseph Haydn
• Wolfgang Amadeus Mozart
• Ludwig van Beethoven
• Franz Schubert
• Carl Philipp Emanuel Bach
• Johann Christian Bach
• Muzio Clementi
• Antonio Salieri
• lighter, clearer texture
• importance of a melody with accompaniment below
• rise of the piano as the main keyboard instrument
• clear structures and forms - especially sonata form - a standard structure for first movements of symphonies, concertos, and sonatas
• increased size of orchestra
Romantic Period – 1800-1910
Musical Compositions Composers Style
• symphony
• concerto
• sonata
• opera
• string quartet
• tone poem
• art song
• song cycle
• etude
• rhapsody
• Hector Berlioz
• Felix Mendelssohn
• Fanny Mendelssohn
• Gioachino Rossini
• Niccolò Paganini
• Franz Schubert
• Clara Schumann
• Robert Schumann
• Isaac Albéniz
• Anton Bruckner
• Bedřich Smetana
• Johannes Brahms
• Pytor Tchaikovsky
• Antonín Dvořák
• Franz Liszt
• Richard Wagner
• Gustav Mahler
• Richard Strauss
• Giuseppe Verdi
• Jean Sibelius
• Edward Elgar
• new musical structures and forms
• a wider use of harmonies
• emphasis on melody, especially long ones
• wider range of dynamics
• larger orchestras
• program music where an outside influence such as art or literature are portrayed in a purely instrumental form
• nationalism - use of folk song or stories from the composer’s native country and use of their own language in opera not just Italian, French, or German
• the idea of the virtuoso performer and the musician as artist
Modernism – 1890-1975
Musical Compositions Composers Style
• symphony
• concerto
• sonata
• opera
• string quartet
• tone poem
• Claude Debussy
• Maurice Ravel
• Paul Dukas
• Alexander Scriabin
• Manuel de Falla
• Ottorino Respighi
• Arnold Schoenberg
• Anton Webern
• Alban Berg
• Paul Hindemith
• Igor Stravinsky
• Béla Bartók
• Sergei Prokofiev
• Dmitri Shostakovich
• Darius Milhaud
• Francis Poulenc
• Arthur Honegger
• Nadia Boulanger
• Aaron Copland
• David Diamon
• Astor Piazzolla
• Walter Piston
• Leonard Bernstein
• Pierre Boulez
• Benjamin Britten
• variety of styles becomes wider and more varied
• further movement toward more complex harmonies, sometimes breaking with traditional structures all together
• rise of atonal music and later serial music, which did not use the traditional scale
• influence of jazz
• influence of pop music
• use of extended instrument technique, speakers, recording, and other synthesized or prerecorded sounds
Contemporary – 1950 to the present
Musical Compositions Composers Style
• opera
• chamber music
• symphony
• band music
• film score
• concerto
• sonata
• Karlheinz Stockhausen
• Olivier Messiaen
• Milton Babbit
• John Cage
• Philip Glass
• Steve Reich
• Roger Sessions
• Charles Wuorinen
• Pauline Oliveros
• Mark Adamo
• John Adams
• György Ligeti
• Peter Maxwell Davies
• Kryzysztof Penderecki
• David Maslanka
• Johan de Meij
• John Corigliano
• Vincent Persichetti
• Eric Ewazen
• Frank Ticheli
• Arvo Pärt
• Jennifer Higdon
• Unsuk Chin
• Anna Thorvaldsdóttir
• Missy Mazzoli
• Mason Bates
• even more styles ranging from completely atonal works to neoclassical which tried to use older forms in a modern setting
• influence of jazz, pop, and other music
• wider variety of composers from different backgrounds
• electronic music
• mixed media performances including art, taped music combined with live
• minimalism - using small motives and changing those ideas very slowly and subtly
• interest in early music